I’ve wanted to write about Lucy Secor for ages because every garment I’ve seen from this Melbourne label has been exceptionally well made. It’s nice to see that I’m not the only one who thinks they’re special – items can be found in the collections of the National Gallery of Victoria and the Powerhouse Museum in Sydney.
This lovely gown has just arrived in the shop – providing the perfect excuse for a little investigating.
1940s evening gown with beaded bodice and draped skirt. Now available online and in the Melbourne salon.
Lucy Secor was a fashion label that opened in Melbourne in 1922. The original shop was located at Centreway arcade on Collins Street: a premium location, then and now so you can see that they were always a good label.
From “Out of Line: Australian Women and Style” by Margaret Maynard:
“Her forte was strong, svelte design and later shimmering evening gowns, still remembered today as having an almost miraculous finish”.
Later, they relocated across the road to the Block arcade, in the shop facing Collins St – even better real estate! In 1937, they were still there, and advertised that it was “business as usual” after a “portion of stock was damaged by water” suggesting a flood or bad roof leak.
By 1940 they were advertising in the Age for young ladies to be taught at a dressmaking school at their South Melbourne factory – based at 35 Sturt St “Just over Princes Bridge”. This location is now behind the NGV and the whole street has changed significantly since then (with total demolition), so the original factory no longer stands but again, you can’t fault the excellent location. Teachers were requested to be over forty five years old (!)
So you were trained for a career, paid a good wage and offered attractive career prospects all at the same time: pretty much like an apprenticeship.
Kevin has kindly sent in a wonderful photo of the Lucy Secor staff in the early ’40s – including his mum and her bestfriend. It had to be wide to fit everyone in, so was taken in two parts with a panorama camera. Click on the images to see in full size.
The State Library have several photos of the Collins St shop windows in 1941 – here’s one.
Lucy Secor also had an Adelaide shop at the “Beehive Buildings”, on the corner of King William St and Rundle St in 1929 as per this advert in the Adelaide Advertiser:
In 1933 Lucy Secor opened an “Out Sized Department” in their Adelaide shop:
“It is no longer difficult for the not so slim woman to be smartly dressed now that Lucy Secor has opened her out-sized department. Her frocks are all designed and cut to give that air of slimness that makes just all the difference”.
Hmm. “Out-sized”. It’s not the nicest term is it? Preferable to our modern “plus-sized” though. It probably explains the “OS” size of the time (which I had imagined was oversized. We learn something new every day). In case you’re wondering, an OS in 1933 was equivalent to a modern 16, showing that not that much has changed in womens’ sizes over the years.
Also in 1933, I found an article in the Sydney Morning Herald regarding a new shop front and shop fittings for a shop in King St, suggesting that could be the date it opened, or more likely a second shop (the first was probably in the ’20s as they’re unlikely to open in Adelaide before Australia’s largest city).
In any case by 1955, Lucy Secor could be found at the Strand arcade, 120 King Street. This may be the shop that was set up in 1933 too.
In 1952 they advertised in the Age for a sales woman to take charge of agencies in a large country area, and I also found mention of selling their stock on consignment at an Alice Springs boutique (in 1968 I think?), so as a fashion company they covered a lot of the country.
Meanwhile, over in Western Australia, a Lucy Secor frock shop could be found in Aherns arcade, Hay Street, Perth in 1933. Here’s a photo from 1950s where you can a chunk of neon sign pointing you in the right direction. I miss shopping arcades like these, they’re a dying breed.
The company ceased trading in WA in February 1951.
Here’s another Lucy Secor design we had recently – this one is also from the ’40s.
Here’s a gorgeous ’40s from the Darnell Collection – I photographed it when it was on display at the “Fashion Meets Fiction” exhibition a while ago. It comes with a matching stole and I bid on it at auction when it had previously been available, but was outbid. The fabric is a rich gold and black brocade, silk I think. Love that big square buckle.
From what I’ve seen, Lucy Secor designs are sophisticated and well bred, and a little restrained, I’m sure they were expensive originally. The attention to detail and quality of the fabrics speak for themselves and they’ve stood the test of time.
All of the pieces I’ve seen have born the same label – it’s large and richly woven in silk. The logo also adorns the bra keepers when found.
Lucy Secor was deregistered as recently as 1989, although most of the frocks I’ve seen were ’30s or ’40s. They seemed very active in the ’50s, judging by all the “help wanted” adverts so hopefully there are a lot more frocks out there. Their flavour of grown up glamour particularly suits the ’40s though.